Forsennare il soggettile fino a dissolversi: Alejandra Pizarnik

Abstract

The work of Alejandra Pizarnik gravitates in the orbit of Surrealism and projects an image of the author that takes on unprecedented nuances in La condesa sangrienta (1971), the only prose work published in life, in which, through the operation of (re) writing, a narrative instance that does not claim any genre, stages a cancellation of itself that dissolves the subject of the enunciation in a polyphonic narrative that is also a collage of one’s own and other people’s voices.

10.4424/lam112022-11